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The adventures of a precocious 6-year-old and his stuffed tiger debuted on November 18, 1985. NPR's Renee Montagne spoke with the comic strip's editor, Lee Salem, in 2005.

Retired Maj. Gen. Paul Eaton says war-gaming and civics education could help assure that the military is better prepared for a contested election.

A federal judge has quickly rejected Florida’s request to block a Biden administration requirement that workers at hospitals, nursing homes and other health-care providers be vaccinated against COVID-19.

The Labor Department reports that the nation's unemployment rate rose 6.5 percent last month. The number of jobs lost were a lot higher than expected. The report indicates that the downturn in the economy this year has been even deeper and more dramatic than most economists had expected. The jobless rate is at a 14-year high.

The reverberations from Thursday's presidential debate continue, alongside consequential Supreme Court rulings.

Two rulings — in federal and state courts — make it increasingly likely that Kroger might abandon its $24.6 billion plan to buy Albertsons. The merger aimed to combine two of America's largest supermarket chains.

A new report from a left-leaning Center on Budget and Policy Priorities finds that upcoming changes to Social Security will amount to a "45-mile trip for some 6 million seniors."

A conservation group has filed a lawsuit seeking to block the Florida Fish and Wildlife Conservation Commission from holding the state’s first bear hunt in a decade.Bear Warriors United filed the 15-page lawsuit Wednesday in Leon County circuit court, contending the commission violated several legal requirements, including approving a hunt using “obsolete” bear population numbers. The 23-day hunt, approved by the commission last month, is scheduled to start Dec. 6.

The UNAIDS annual report warns that Trump-era HIV funding cuts could lead to 6 million more infections and 4 million deaths by 2029 — as low-income countries struggle to fill the gap.

Do the struggles at SFX Entertainment reflect the challenges of turning the dance-music experience into big business? Or is it something bigger?